The Old Dark House (1932)
Not only is there an OLD DARK HOUSE, there's also a dark and stormy night outside said house, a heavy rain that causes mud slides and has turned the roads into quagmires. It's so bad that travelers Roger Penderel (Melvyn Douglas) and Philip and Margaret Waverton (Raymond Massey and Gloria Stuart) swallow their fears (how would YOU like it if your knock at the door of a scary old house was answered by Boris Karloff?) and seek refuge there. They are followed soon enough by portly and high-spirited Sir William Porterhouse (Charles Laughton) and fiery young Gladys DuCane (Lilian Bond). Nobody in their right mind would consider spending a night in the spooky old place unless forced by the sharpest contingency. Nobody in their right mind, we soon learn, inhabits the house, either. It's the residence of the Femm family, aged siblings Horace and Rebecca (Ernest Thesiger and Eva Moore) and a brace of unseen, but not unheard, relatives locked in upper story rooms. Boris Karloff plays Morgan, a butler or sib (never explained either way), who's scarier than all get out.
THE OLD DARK HOUSE is a horror movie, of sorts. It doesn't indulge in splatter-gore or supernatural head-twisting to shock and thrill. Rather, it relies on high shadows and sardonic dialogue, strange characters and menacing situations. The movie contains no character stranger than Karloff's Morgan, a hulking mute brute glowering from behind a bolshie beard and a few deep and delicately placed scars painted in by Universal make-up genius Jack Pierce. Morgan develops an overarching attraction to pretty young Margaret Waverton. Director James Whale makes Margaret undergo the only costume change in the film, a move that accomplishes a number of things. Undressing down to her slip, Margaret is at once sexualized and made vulnerable. It gives deaf old Rebecca Femm the opportunity to deliver lines at once darkly comic, sardonic, and deeply disturbing. As Gloria Stuart, who recently played the 100-year-old survivor in TITANTIC, tells us on the easy and informal commentary track, Whale wanted her to appear a `flaming dagger' when Karloff chased her about the dark mansion, hence the pink Jean Harlow-ish silk gown. Rebecca Femm, fondling the gown's silk, declares "Fine stuff, but it'll rot." Touching the young woman's skin beneath the gown, she says "Finer stuff still, but it'll rot, too!" Whale intercuts the scene with images of Margaret and Rebecca and Margaret looking at herself in an old and distorting mirror. It's a brilliant sequence, transcending and enhancing the horror simultaneously.
THE OLD DARK HOUSE is filled with twisted, dark comedy and grand performances. Whale, of course, had earlier directed Karloff in FRANKENSTEIN, and would work yet again with him in a few years on THE BRIDE OF FRANKENSTEIN. Thesiger would join them as the demented Dr. Pretorius. If you've seen that movie and enjoyed its singular brand of humor, you'll enjoy THE OLD DARK HOUSE as well. HOUSE lacks BRIDE'S humanity, there are no noble monsters in this one, but its comedy is more finely honed and definitely of a darker hue. And the ensemble cast is as good as it gets. I loved this movie.
Included on the Image dvd is Gloria Stuart's informal and personal commentary, a nine-minute stills gallery (button free, it runs on its own) and an eight minute interview with director Curtis Harrington, who was a friend of Whale's and the man most responsible for preserving, and restoring, THE OLD DARK HOUSE as it lay mouldering in the Universal vaults in the 1960s.
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